Delhi 360° | Shahjahanabad: Mapping the Panoramic Views of a Mughal City

Publisher:
Roli Books
| Author:
J P Losty,Swapna Liddle
| Language:
English
| Format:
Hardback+Slipcase
Publisher:
Roli Books
Author:
J P Losty,Swapna Liddle
Language:
English
Format:
Hardback+Slipcase

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Delhi 360°: A Unique Panorama in The British Library Collection

Made in 1846, the painting commonly known as ‘The Delhi Panorama’ by the famous topographical artist Mazhar Ali Khan is the finest artistic rendering of Shahjahanabad ever made. It also affords a unique glimpse into the heart of the imperial palace in the Red Fort before much of it was destroyed after the 1857 Uprising. The 360º view of Delhi along with its extraordinary detailing of the cityscape makes the panorama not just an important historical document but also the masterpiece of its artist. The 5-metre long panorama, which is in the collection of the British Library since 1981, along with all the Persian and Urdu inscriptions has never before been published complete. Its publication here is accompanied by essays that put the panorama in its historical and artistic context with a commentary on the inscriptions that brings it to life.

The book will appeal to scholars of Indian history especially Mughal history; anyone with a deep interest in the art, architecture, and history of Mughal India; and all Dilliwallas.

Shahjahanabad : Mapping a Mughal City

Delhi’s Shahjahanabad was first founded as an empire’s capital at the glorious height of the Mughal dynasty; from this vantage point, it was also witness to the empire’s decline and eventual extinction. The city would transform profoundly in the aftermath of the Revolt of 1857, with many of its neighbourhoods and buildings obliterated, and many of its inhabitants, including the last Mughal emperor, Bahadur Shah Zafar, having left, never to return. Fortunately, a mapmaker, working in 1846, painstakingly depicted important buildings, streets, and landmarks, providing a wealth of information about the city as it had evolved up to that time.

Shahjahanabad reproduces this large-scale, beautifully drawn and coloured map, and considers the city as it had stood prior to its mid-nineteenth-century changes. It also examines the city, neighbourhood by neighbourhood, and explores its diverse communities and important landmarks. With a pull-out map included in the book, this is a must-have for anyone interested in cartography and Delhi’s vibrant cultural history.

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Description

Delhi 360°: A Unique Panorama in The British Library Collection

Made in 1846, the painting commonly known as ‘The Delhi Panorama’ by the famous topographical artist Mazhar Ali Khan is the finest artistic rendering of Shahjahanabad ever made. It also affords a unique glimpse into the heart of the imperial palace in the Red Fort before much of it was destroyed after the 1857 Uprising. The 360º view of Delhi along with its extraordinary detailing of the cityscape makes the panorama not just an important historical document but also the masterpiece of its artist. The 5-metre long panorama, which is in the collection of the British Library since 1981, along with all the Persian and Urdu inscriptions has never before been published complete. Its publication here is accompanied by essays that put the panorama in its historical and artistic context with a commentary on the inscriptions that brings it to life.

The book will appeal to scholars of Indian history especially Mughal history; anyone with a deep interest in the art, architecture, and history of Mughal India; and all Dilliwallas.

Shahjahanabad : Mapping a Mughal City

Delhi’s Shahjahanabad was first founded as an empire’s capital at the glorious height of the Mughal dynasty; from this vantage point, it was also witness to the empire’s decline and eventual extinction. The city would transform profoundly in the aftermath of the Revolt of 1857, with many of its neighbourhoods and buildings obliterated, and many of its inhabitants, including the last Mughal emperor, Bahadur Shah Zafar, having left, never to return. Fortunately, a mapmaker, working in 1846, painstakingly depicted important buildings, streets, and landmarks, providing a wealth of information about the city as it had evolved up to that time.

Shahjahanabad reproduces this large-scale, beautifully drawn and coloured map, and considers the city as it had stood prior to its mid-nineteenth-century changes. It also examines the city, neighbourhood by neighbourhood, and explores its diverse communities and important landmarks. With a pull-out map included in the book, this is a must-have for anyone interested in cartography and Delhi’s vibrant cultural history.

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