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Gopeshwar: Mirror of the Art of Uttarakhand (Himalaya)
Publisher:
Kaveri Books
| Author:
Dimri, D N
| Language:
English
| Format:
Hardback
Publisher:
Kaveri Books
Author:
Dimri, D N
Language:
English
Format:
Hardback
₹450 ₹360
Save: 20%
In stock
Ships within:
1-4 Days
In stock
Weight | 96 g |
---|---|
Book Type |
ISBN:
Category: Art & Photography
Page Extent:
96
Gopeshwar has played an important role in the History of Uttarakhand particularly Garhwal Himalaya. The place is located at a distance of about 10 km. from Chamoli on Rishikesh-Badrinath motorable road. Being located in the middle of the holy shrine of Kedarnath and Badrinath, Gopeshwar enjoys the reputation of being a halting point of pilgrimages from time immemorial. The place has the privilege of having an inscribed iron trident set-up by Ganapati-Nag in honour of Rudra (Siva) in sixth century AD and a tallest Nagra Shikhara temple assignable to eighth ninth century AD built by the Katyuri of Central Himalaya. The sculptural evidence suggest that art activity started at Gopeshwar sometime in fifth-sixth century AD in its initial stage inspired by the Gupta art traditions of Central India, subsequently developed in its own style during ninth-tenth century AD and began to decline from twelfth century A.D. Hence, Gopeshwar served as mirror of art of Uttarakhand Himalaya.
In this book an attempt has been made to highlight the different phases of art activities at Gopeshwar along with the illustrations and detail description of each sculpture which will help to understand the different phases of art activities in Uttarakhand Himalaya.
Be the first to review “Gopeshwar: Mirror of the Art of Uttarakhand (Himalaya)” Cancel reply
Description
Gopeshwar has played an important role in the History of Uttarakhand particularly Garhwal Himalaya. The place is located at a distance of about 10 km. from Chamoli on Rishikesh-Badrinath motorable road. Being located in the middle of the holy shrine of Kedarnath and Badrinath, Gopeshwar enjoys the reputation of being a halting point of pilgrimages from time immemorial. The place has the privilege of having an inscribed iron trident set-up by Ganapati-Nag in honour of Rudra (Siva) in sixth century AD and a tallest Nagra Shikhara temple assignable to eighth ninth century AD built by the Katyuri of Central Himalaya. The sculptural evidence suggest that art activity started at Gopeshwar sometime in fifth-sixth century AD in its initial stage inspired by the Gupta art traditions of Central India, subsequently developed in its own style during ninth-tenth century AD and began to decline from twelfth century A.D. Hence, Gopeshwar served as mirror of art of Uttarakhand Himalaya.
In this book an attempt has been made to highlight the different phases of art activities at Gopeshwar along with the illustrations and detail description of each sculpture which will help to understand the different phases of art activities in Uttarakhand Himalaya.
About Author
Dr. D.N. Dimri has brilliant academic pursuit. Born in 1959 in village Deweldhar of District Chamoli, Uttarakhand Himalaya, he did his M.A in Ancient Indian History Culture & Archaeology from Hemwati Nandan Bahuguna University, now Central University, Srinagar Garhwal (1980). Post-graduate Diploma in Archaeology from Archaeological Survey of India, New Delhi (1981-1982) and Doctorate from Kumaun University, Nainital (2002). He joined A.S.I. in 1984, presently he is holding the charge of Superintending Archaeologist, Delhi Circle. Serving in A.S.I., he has participated in important archaeological excavations viz. Harsh-ka-Tila (Kurukshetra), Banawali in Haryana, Sringveragpura and Hullas in Uttar Pradesh, Dholavira in Gujarat. He is joint author of a book Kaumbhalgarh: The Pride of Maharana of Mewar. He has contributed many articles in journal, periodical both in National and International repute.
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